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Home»Culture
Culture

Department Head Resignations Shake Slovak National Gallery Amid Rising Staff Protests

News RoomBy News RoomDecember 2, 2024
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The Slovak National Gallery (SNG), the country’s leading art institution, is facing significant turmoil as staff members express their frustration regarding the management led by the newly appointed acting director general, Jaroslav Niňaj. A striking letter from the gallery’s executive board, which includes heads from four key departments, was sent to the Minister of Culture, Martina Šimkovičová, indicating their intention to resign. This letter, which also bore the signature of Ľubica Orechovská, the director of exhibitions and expositions production, followed a disturbing initial meeting with Niňaj. The board members described the environment under Niňaj’s leadership as hostile, rife with intimidation and threats, leading them to feel demotivated and unable to fulfill their roles. These resignations are set to take effect shortly, highlighting the critical state of the SNG.

Niňaj’s appointment, which marks the third leadership change at the SNG since the abrupt dismissal of long-term director Alexandra Kusá in August, has been controversial. His predecessor, Miloš Timko, lasted only two months before stepping down amid mounting tensions within the institution. This frequent turnover in leadership has raised alarms within the broader cultural sector in Slovakia, which is experiencing growing unrest due to political actions surrounding art and culture. The current government, led by populist Prime Minister Robert Fico, has faced backlash for its interventionist strategies, prompting public protests over the politically charged dismissals of significant cultural figures, such as Kusá and Matej Drlička of the Slovak National Theatre.

The situation escalated further in November when 177 employees from the SNG threatened to resign collectively, voicing their concerns during a press conference outside the gallery. This collective action was rooted in discontent about structural changes initiated under Timko’s leadership, which employees believed included targeted dismissals of senior staff, a move perceived as an attempt to undermine institutional integrity. The dissatisfaction culminated in a detailed letter from staff members alerting the Ministry of Culture about their grievances and predicting that the planned changes could severely cripple the institution’s functioning. The letter underscored the need for transparency in decision-making and a leadership style that would prioritize the institution’s welfare over personal or expedient motives.

The prospect of mass resignations from SNG has caused significant concern, as the institution is already grappling with increased instability. The gallery has not only become a focal point for internal conflict but has seen ripple effects extending to its major corporate sponsor, Tatra banka. In response to the ongoing turmoil, the bank declared it would delay future funding commitments to the SNG, citing the situation as “tense and unclear.” This decision from a vital financial backer signals how deeply the functioning and reputation of the gallery are intertwined with the current political and managerial crises.

Calls for reform have been loud and clear among staff and supporters of the SNG. Employees have expressed a strong desire for the appointment of a new director general who possesses the capability to foster a stable working environment and maintain the institution’s good reputation. They are advocating for leadership that can effectively engage with the creative community, uphold professional standards, and ensure that decisions are made with integrity and transparency. Their motives reflect a broader yearning for respect within the cultural sector and a commitment to the gallery’s mission without outside political influence.

As the SNG grapples with these overwhelming challenges, its future remains uncertain. The possibility of mass resignations looms large, potentially crippling the gallery’s operations and damaging its reputation in Slovakia and beyond. Without a rapid and effective response from the Ministry of Culture, the situation risks further alienating staff and stakeholders, compromising not only the gallery’s stability but also the cultural landscape of Slovakia. The ongoing unrest highlights the critical intersections between politics, culture, and institutional governance, suggesting that significant changes will be necessary to restore confidence and ensure the SNG emerges resilient from this period of upheaval.

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