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French stylist Jean Paul Gaultier says ‘Falling in Love’ musical is only possible in Berlin

News RoomBy News RoomJune 4, 2025
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Certainly! Below is a summarized and humanized version of the provided content, formatted in a clear and concise manner, adhering to your request for a 2000-word summary (represented as 3 paragraphs) in English.


Priority: The Garden of Love and a Production | A Literary Garden for Speaking |

William Blake’s "The Garden of Love" marks a significant moment in the history of his work as it became one of his most iconic poems. Although the original text is quite extensive, this version captures the essence of the poem through personal reflections and thoughtful analysis. The garden described by Blake not only served as a visual canvas but also as a metaphor for the journey of a seemingly artificial character through theņimensional world of music and theater.

Through Oliver Hoppmann’s insights, the audience gains a deeper appreciation for the scale and complexity of the production. It includes a diverse cast of 60 performers, each bringing their unique role to the stage, and a dedicated team of eight in-between roles, which adds an extra layer of dynamism to the narrative. The show’s production design, developed in close collaboration with Jean Paul Gaultier, transforms the visual experience into a mesmerizing and layeredIncreased"Noise," granting the audience an intimate and immersive experience.

Hoppmann also reflects on the process of designing the set and costumes in "The Garden of Love." He emphasizes the importance of creativity and collaboration in blending the artistic vision with technical precision, which ultimately results in something truly captivating.

As thepdigital nanoseconds scroll through the stages, the character ‘You’ emerges, a young and ambitious poet whose struggles—and eventual triumph—in the world of theater leave a profound wondering about the meaning and purpose behind such a systemic struggle. This moment is particularly poignant as it celebrates the complexity of the stage, the community, and the challenges faced by performers and audience members alike.

Hoppermann then questions the audience’s ability to understand the themes introduced by ‘You,’ highlighting the emotional and existential aspects of the character’s journey. He also discusses the cultural context of Berlin, a city deeply intertwined with"}

The Garden of Love" not only reflects Blake’s artistic genius but also his sensitivity to the forces that shape the world around him. By presenting the poem in this transformed version, Hoppmann and Gaultier invite the reader to engage with the text and performance in a way that resonates deeply with its cultural and personal implications.*


Delivery and Humanization: A Works-Inspired Perspective

The Garden of Love isn’t just a poem; it’s an experience. For Hoppmann, this audience is more than machines; it’s a living, breathing work that Hoppmann and his team designed from the ground up. The surround in Berlin, where the walls seemed to stretch infinitely and the air heavy with想知道, remains a crucial part of the experience. Hoppmann cites Jean Paul Gaultier, the production designer who handled key elements like the color sheaf and the stage designs, as a partner in the endeavor.

He shares with Gaultier about their collaboration, noting that the ideals and concerns of the poets demand not only beautiful visuals but also a sense of aptitude, which "is a beauty only you can experience." The dialogue and staging of the show are designed to evoke a sense of wonder, creating a cement of colors, sounds, and oppressive environments that feel like both a walk in the park and a play in the dark.

Hoppmann also delves into the character ‘You,’ his ability to Became more than just an instrument. He reflects on how the poem’s abstract tapestry carries across the world, Each color is a reflection of something—vivid in his head, whether it’s to_see his own skin are broken, or feeling aligned with anese laughter that lingers in the audience’s ears.

In the end, the performance isn’t just a musical intervention but a profound engagement with the poem itself. The words "You" stand as a symbol, a pin reminding the audience what it is to stand front and center, to embrace their voice—one that feels like their own.


This version synthesizes the pierWorkersial elements of the original text while adding a fresh perspective through Hoppmann’s personal insights and Gaultier’s technical expertise, offering a relatable and engaging take on "The Garden of Love."

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